L. (LEO) GESTEL 1881 Woerden - 1941 Hilversum Flower Still Life
Oil / Canvas: 73,5 x 80 cm
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Width: 80 cm
Collection Dr. P. Rijkens, Surrey, U.K.
Collection J.R.M. de By, Abcoude, 1983
Kunsthandel Van Voorst van Beest Gallery, The Hague
Private collection The Netherlands
'Leo Gestel', Singer Museum, Laren, 23 Nov. 1993 - 30 Jan. 1994, no. 90
'Gestel in Bergen', Museum Kranenburgh, Bergen, 18 May - 6 Oct. 2002
M.E.T. Estourgie-Beijer, 'Leo Gestel. Schilder en tekenaar', 1993, Zwolle, p. 65, no. 55
M.E.T. Estourgie-Beijer, J. de Raad, 'Gestel in Bergen', 2002, Bergen, p. 32, 33 (ill.)
Artwork has been included in the "Catalogue Raissonné" by the Dutch Institute for Art History (RKD), The Hague Permalink: https://rkd.nl/explore/images/229107
Over L. (LEO) GESTEL
Leendert Gestel (Leo is short for the nickname Leonardo given to him by his Amsterdam friends.) largely determined the face of Dutch modern art. Together with Jan Sluijters and Piet Mondriaan, he was the frontrunner of Dutch Modernism. By this term we mean the Dutch version of the then international avant-garde movements pointillism, fauvism, cubism and futurism. Gestel sought inspiration in each of these directions. In 1903, despite his father's opposition, he was able to call himself a free artist. By now he was living in Amsterdam, obtained his teaching certificate in drawing and had begun the evening course at the Rijksacademie at A. Allebé. His studio at 2nd Jan Steenstraat in Amsterdam became a meeting place for artists. His trips together with Jan Sluiters to cities like Paris, Antwerp and Brussels became of lasting influence on his work. In 1912, he settled in Bergen with his wife Ann. His work was bought early on by collectors J.F.S. Esser, Piet Boendermakers and Hélène Kröller - Muller. His great talent for drawing, in addition to his development as a painter, has always remained important, especially after the modernist period. However, the smoothly drawn pastels were also popular at the beginning of his career.
