A.C.P. (CHARLEY) TOOROP 1891 Katwijk - 1955 Bergen Bottles and Plate

Oil/board: 62 x 75 cm


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Artist
A.C.P. (CHARLEY) TOOROP1891 Katwijk - 1955 Bergen

Title
Bottles and Plate

Material & Technique
Oil/board

Measurements
Height: 62 cm

Width: 75 cm

Signature
Signed with monogram ‘CT’ on the lower left; signed and dated ‘Charley Toorop/1922’ (on the verso)

Provenance
Collection H.P. Bremmer, Den Haag

Collection Mw. Takens, Zaandam

Private collection The Netherlands

Exhibitions
Amsterdam, Stedelijk Museum, 1923, no. 135

The Hague, Gemeentemuseum, 'Charley Toorop', 18 Apr. - 24 June 1951

Amsterdam, Stedelijk Museum, 'Charley Toorop', 12 July - 30 Sept. 1951

Eindhoven, Van Abbenmuseum, 'Charley Toorop', 6 Oct. - 25 Nov. 1951, no. 27

Hilversum, Goois Museum, 'Charley Toorop', Dec. 1956 - Jan. 1957, no. 5

Literature
J.G. van Gelder, P. Haessaerts, A.M. Hammacher en H.P. Bremmer, 'Beeldende Kunst 10', 5 March 1923, no. 5, no. 40 (ill.)

A.M. Hammacher, 'Charley Toorop. Een beschouwing van haar leven en werk', Rotterdam 1952, p. 112, no. 60

Catalogue Goois Museum, 'Tentoonstelling Charley Toorop', Hilversum 1956, no. 5

Nico J. Brederoo, "Charley Toorop", Amsterdam 1982, p. 295, no. 313

Date
1922

Category
Paintings

Over A.C.P. (CHARLEY) TOOROP

Charley Toorop was born on 24 March 1891 in Katwijk aan Zee, the daughter of the artist Jan Toorop and the Englishwoman Annie Hall. Before committing to the visual arts around 1910, she studied the violin and voice. In 1912, she married the philosopher Henk Fernhout, with whom she had three children, including the painter Edgar Fernhout and the filmmaker John Fernhout. The marriage was formally dissolved in 1924. Toorop's early work was shaped by Expressionism and the Der Blaue Reiter movement. Since 1916, she has been a member of the artists' group Het Signaal and is associated with the Bergen School, characterised by emphatic lines and bold colour contrasts. In 1926, she moved to Amsterdam, where her painting was influenced by cinema: frontal, isolated figures, as though lit by lamps on a film set. Her still lifes show an affinity with Synthetic Cubism. From the 1930s onwards, she developed a powerful, expressively realist style, depicting portraits, self-portraits, nudes, and socially engaged subjects. Toorop was a central figure in the Dutch art world. Her house, De Vlerken in Bergen, commissioned by her father in 1921, became a gathering place for artists, musicians, and writers. She co-founded initiatives such as the ASB and the Filmliga, and maintained friendships with Piet Mondriaan and Bart van der Leck. Her most significant work, Three Generations (1941–1950, Museum Boijmans Van Beuningen), depicts herself, her father, and her son, Edgar. Charley Toorop died on 5 November 1955 in Bergen. Her work is held in the foremost Dutch public collections, with the Kröller-Müller Museum alone holding over forty of her paintings.