Return of the Fishing Fleet Return of the Fishing Fleet

H.W. (HENDRIK WILLEM) MESDAG 1831 Groningen - 1915 The Hague Return of the Fishing Fleet

Oil / Canvas: 90 x 70 cm


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Details

Mesdag went to Scheveningen, close to his home in The Hague, every day. Here, he painted the sea and the fishermen. This work shows the fishermen returning from their day at sea. Mesdag was fond of choosing moments like this when calm was abruptly ousted by sudden activity. This work of art is a great example of the work of this painter at the peak of his powers. Based on the artist’s strongly developed feel for light and colour in his rendering of air, sea and atmosphere, and his depiction of the grey, gold and brown hues of the North Sea, Mesdag was the undisputed master of Dutch seascapes in the late nineteenth century.

Artist
H.W. (HENDRIK WILLEM) MESDAG1831 Groningen - 1915 The Hague
Title
Return of the Fishing Fleet
Material & Technique
Oil / Canvas
Measurements
Height: 90 cm
Width: 70 cm
Signature
Signed lower right "H.W. Mesdag"
Provenance
Private collection, The Netherlands
Christie's, Amsterdam, 25 okt. 2005
Private collection, Switzerland
Literature
Comp. Johan Poort, Hendrik Willem Mesdag (1831-1915). Oeuvrecatalogus, 1989, Wassenaar, p. 378-379
Date
1890
Category
Paintings

Over H.W. (HENDRIK WILLEM) MESDAG

Mesdag is one of the most famous Dutch 19th century painters. His Impressionistic style follows the rules of the Hague School, of which he was one the founding fathers. He was born into a well-to-do family in Groningen, in the north of Holland. Destined to follow into his father’s footsteps as a banker his professional career as an artist started relatively late. It was only after his father died that he with his wife Sientje van Houten, also an artist, moved via Brussels to The Hague to become not only a prominent artist in the newly formed the Hague School but also a great collector of contemporary (19th century) art. As a professional painter he settle in a studio in Scheveningen, overlooking the North Sea. He had found his subject! In endless variation he would paint the ever changing sea and skies, the fishing vessels, the hard labour of pulling the ships every night on the beach. When finally a harbour was built in 1904 to keep the ships safe from storms, Mesdag was convinced that it was his task in life to keep the memory alive of "how it used to be" before. That’s why we seldom see a steam ship or the new harbour painted by him. Mesdag was a prominent figure in society, popular and respected. A prolific painter, his works are to be found in many museums and private collections around the world. A superbly Dutch rendering of sea and sky appealing universally. Mesdag's collection of his contemporaries together with some of his own form the basis of a museum in The Hague. The best known museum in The Hague is dedicated to the Panorama Mesdag, a unique 360 degrees representation of 19th century Scheveningen. It is one of the very few surviving painted panorama's in Europe to be seen in a purpose built round dome. It attracts many thousand visitors a year.

Mesdag's fascination for the sea started in 1868 when he and his wife Sientje Mesdag-van Houten made their annual visit to their native city Groningen, and visited the Island of Norderney where Mesdag made his first sea studies. His international career began with the gold medal he received at the Salon Paris in 1870 for the painting Les Brisants de la Mer du Nord. Stimulated by his success in Paris and his love for the sea, Mesdag focused on the North Sea and the fishermen there. He purchased a room at the 'Villa Elba' and later at Hotel Rauch located at the Scheveningen beach and considered himself a realistic seascape painter. From his room he could observe the sea in all weathers and captured his impressions of the Dutch North sea and all the activities on the Scheveningen beach under all circumstances. A period of great recognition began. Until his death in 1915, Mesdag visited the sea frequently to seek inspiration for his paintings. However, when the character of the fishing village changed into a modern beach-resort around the turn of the century, he would use his old sketches as the basis for his pictures. Mesdag painted the present lot in 1890, at the zenith of his career, and his commitment to depicting the theme of seashore scenes was well established in the national and international art world. It was not only the critics of the Salon that praised the sincerity of his works and their truthful rendering of reality, today Mesdag is also much admired for these abilities.